Basic Info

Location: Hungary / Budapest

Main Genre: Alternative

Band Page created: Jul 3, 2012

By: tothkina

Last Updated: Jul 3, 2012

scrubradio.com/tothkinahegyfalu

Band Members

Kinga Toth // Gergely Molnar - vocals, synth // guitar, synth

Band Links

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Band's Influences

We are "Toth Kina Hegyfalu" band (duo) from Hungary.
We play in experimental-avantgarde-noise style.

band members:
Kinga Toth (poet, illustrator,performer)
www.tothkinga.blogspot.com
Gergely Molnar (painter, visual artist,musician)
www.molnargergely.blogspot.com

Contact us:
www.tothkinahegyfalu.blogspot.com
www.facebook.com/tothkinahegyfalu
www.tothkina.bandcamp.com
tothkina@gmail.com

About The Band

"Listening this one we're able to thinking first times about Bartok's chamber music (partially) but more and more touches Stockhausen's "Inori" and "Telemusik" cycles there. But, of course, this is a touches only. I think at the album "Inner Rooms" most of all directions is a author's opinion. First experience of listening generates thoughts about ahumana and antihumana conception of this kind of music, but second coming idea will be different: we will able to understand this music is about hidden intellectual processes under the skull. Thus, this one might help us to understand and decrypt our own scrabbling thoughts. Good choice for those who likes Academical Electronical music." (Gennady Vladimirov)

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"Tóth Kína Hegyfalu is the Budapest, Hungary based duo of Kinga Toth and Gergely Normal. The pair has a strong performance art bent, with Gergely's sparse, often minimalist instrumentation serving as counterpoint and complement to Kinga's poetry, which takes the form of aggressive growls, and wails. Gergely also contributes the artwork for the releases, which also reflect the ever present themes of alienation and violence. Tollasbál represents a fervent desire to capture the disruptively awkward and often unsettling feel of an art house performance. Standing in contrast to most of the record, "it hurts (kapar)" forcefully prods the listener into an uncomfortable state with thick slices of noise and distorted vocals, rather than leading them there via teases and the occasional backhanded threat. It's a sludgy oil slick of guitar that's definitely not easy listening, though it is rewarding in its own very specific and slightly sadomasochistic way."
( Luke Carrell )

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